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  表演總覽 1 3

《攝影:陳藝堂》

死亡紀事│

扛著屍體 紀錄一場苛問存在的荒謬之旅 。

改編自馬來西亞社會新聞事件。一個人喃喃自語,兩個人竊竊私語,多聲部獨白、旁白、對白輪番陳述一具屍體的沈默。故事開始於葬禮前,兩兄弟發現父親宗教隸屬上,即是道教徒也是回教徒的雙重身份,因而引起了回教宗教局的關注,觸發了遺體該往何處安葬的一連串事件。兩個人、一具屍體,他們為死亡寫下隻字片語,在餘音嫋嫋的歌謠唱頌中浮沈,關於認同關於記憶關於夢,關於生存之境,這中間,究竟懸宕了什麼?


Program Synopsis│

Carrying a Corpse: Records of a journey through the absurdity of existence This performance is based on a true story reported in the Malaysian news. The show begins with man mumbling to himself, two others lowly talking in secret, and a crowd of other voices all talking about the corpse that remains silent. The story begins before the funeral: two brothers discover that their father was not only a Daoist but also a Muslim, which received attention from Islamic leaders in the country. This dual religious identity spurred on the question of how and where their father ought to be buried. Two men and one corpse together created an elegy to life and death whose graceful resonance emerges from chaos. This performance is about identity, memory, dreams, and survival—what else is left to surprise us?

 

 


《攝影:陳藝堂》

窮劇場│
思辨‧行動‧能量

來自高俊耀(馬來西亞)和鄭尹真(臺灣)的劇場組合,以窮為本,究本源之心,透過創作和教育臨近劇場的核心,在其中尋找文化的延續,承載社會使命的關懷。作品經常以文學閱讀出發,語言風格生猛,展現剛勁的節奏能量,表演本於傳統的靜定內蘊,叩問人在當代生活的處境和異化,以及梳理歷史脈絡的身份思考。教育部份,窮私塾師事周逸昌師和陳偉誠師,以觀念啟蒙和身心意識覺察為工作核心,致力開辦工作坊與長期課程,閱讀與實作並進,深耕劇場語彙的審美和思辨。窮以此為奠基,積極聚合多方資源,以劇場藝術擴延交流無盡的文化場域,持續美學追索的創作實踐。

About approaching theatre│ contemplation, action, energy

A theatre duo formed by Koh Choon-eiow (Malaysia) and Cheng Yin-chen (Taiwan). The duo seeks to approach the essence of theatre art through creative writing and education with introspective awareness. The duo quests for the cultural lineage in theatre, the vehicle of social and artistic consciousness. Usually originating from literature, the productions feature raw, fierce language and dynamic, vigorous tempo. Established in the essential serenity of cultural tradition, the performance of the duo inquires into contemporary human conditions and alientation as well as traces human identities in historical contexts. In terms of education, the conservatoire of approaching theatre studies with Mr. Chou Yi-chang and Mr. Chen Wei-cheng. Focusing on enlightenment and raising corporal/mental awareness, the conservatoire actively provides workshops and long-term courses in both reading and performing to explore and enlarge the theatrical lexicon aesthetically and contemplatively. Founded on the creeds described above, approaching theatre now actively assembles resources from everywhere to expand the horizons of ever-interactive intelligentsia and persist in aesthetic creative praxis through theatre art.

《死亡紀事》【演出取消】
    4/28(四)、29(五) 19:30-20:30
  • 地點:藝文中心視聽館
  • 表演團體:窮劇場
  • 導演:高俊耀
  • 編劇:蔡承燊、高俊耀
  • 演員:蔡德耀、高俊耀
  • 燈光設計:魏丞專

    4/28
    4/29

    備註:
  • 因演出所需,內容含成人議題及用語,建議18歲以上觀眾欣賞。
  • 節目總長60分鐘,無中場休息 。
  • 遲到觀眾無法入場 。

Chronology on Death
  • Date & Time: 28/04/2016-29/04/29/2016 19:30-20:30
  • Venue: Audiovisual Theater, NCCU Art & Culture Center
  • Performer: approaching theatre
  • Director: Koh Choon-eiow
  • Playwright: Chua Seng-shen, Koh Choon-eiow
  • Actor: Chua Teck-yeo, Koh Choon-eiow
  • Lighting Designer: Wei Cheng-chuan
    Please note:
  • The content of this work is suitable for mature audiences only. It is suggested that viewers be at least 18 years of age.
  • The program lasts 60 minutes and there is no intermission.
  • Individuals arriving late may not enter.

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