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《一桌二椅》× 《四物》

2010年莎妹劇團在走過飽滿圓熟的十五年創作路程後,企圖開展下一個階段的展演目標,四位駐團編導思索如何讓四位風格迥異又擁有相同莎妹血緣的導演作品,在「異中求同」、「同中見異」的前提之下,回溯莎妹之獨特風格美學的創作脈絡,又可見劇團在實驗與實踐劇場語彙的新意?2012年推出四導聯演系列之第一部《一桌二椅X4》作為此一系列之開端製作,由莎妹四位編導:魏瑛娟、王嘉明、Baboo及徐堰鈴挑戰相同的創作命題,以各自擅長的創作風格對應主題,重新思考此限制下的劇場風景。舞台只能用一桌二椅加上兩位演員,四位導演各自呈現片段,從當代角度重新檢視「一桌二椅」可能發展出的劇場實驗語彙。

2014年歲末再度集合創作《四物》,以「物件」作為創作主軸。魏瑛娟導演將從《壞東西》發展出一複合性媒體演出,結合攝影、錄像、音樂以及裝置,試探各媒材與空間碰撞的能量。王嘉明《小小》將大膽首度嘗試與兩位小學生演員合作,從與「小」演員的工作過程中,思考在資訊如此發達,物流如此通暢迅速的當代社會,何謂「成熟」?Baboo的《一一》試圖拆解物件的樣貌、功能與意義,將之重新排列組合產生異常場景,給予這些日常物件與操作性行為「無意義」的範圍。而徐堰鈴的《口》則是以演員詩意的肢體出發探討器皿(口)可乘載、可言說、可表達之意義。

此次在政大演出為特別場,莎妹劇團將挑選「四導聯演系列」《一桌二椅X4》及《四物》中的精彩片段,邀請政大師生與四位導演一起在劇場裡盡興玩樂。


A Table, 2 Chairs × 4 Items

In 2010, after 15 years filled with success in the performance world, Shakespeare's Wild Sisters Group attempted to enter a new phase of their development. The four directors began to think about how they could combine their seemingly incompatible ideas to makes something new and fresh and yet stay true to the group's inherent spirit and style. In 2012 the group created a collaborative project as first in a new string of group works "A Table, 2 Chairs" directed by Wei Ying-chuan, Wang Chia-ming, Baboo, and Hsu Yen-ling. Tackling the same sorts of questions and topics, and each contributing their own skills and styles, they began to think of ideas for the piece. The limitation would bet hat on the stage there would only be a table and two chairs with two actors. The four directors each presented excerpts of their versions of the piece to explore the possibilities of this seemingly limited set.

In 2014 they created a piece called "4 Items" in which "objects" were the topic of exploration. The director Wei Ying-chuan took the idea of the "bad thing" and developed it into a show including all sorts of media, combining video, music, installations and images to test each medium's interaction with the space around it. Wang Chia-ming bravely and for the first time created a piece with two elementary school students as actors to explore what it means to be "mature" in a world in which information and goods are so readily accessible. In the piece "One One," the director Baboo attempts to bring to light our assumptions about the use and meaning of the objects around us by placing them in unusual, jarring environments and questions what it means for a thing to be "useless." Hsu Yen-ling, in the piece "Mouth," investigates the ability of household objects to speak, express themselves, and carry meaning.

At this special NCCU event, the Shakespeare's Wild Sisters Group invites the university's faculty, staff, and students to all enjoy selections from their collaborative works "One Table, 2 Chairs X4" and "4 Items."

 


《一桌二椅》× 《四物》
    12/23(二) 19:30-21:00
  • 地點:藝文中心視聽館
  • 演出團體:莎士比亞的妹妹們的劇團
  • *本節目非親子節目。

A Table, 2 Chairs × 4 Items
  • Tue. , Dec. 23, 19:30-21:00
  • Venue: Audiovisual Theater of NCCU Art & Culture Center
  • Performer: Shakespeare's Wild Sisters Group
  • * This program contains adult material.

莎士比亞的妹妹們的劇團

創團至今超過十五年,發表四十多個作品,無論在題材的選擇或是風格美學的實驗上,皆已在臺灣小劇場界創立獨一無二的品牌。目前駐團的四位導演:魏瑛娟、王嘉明、Baboo以及徐堰鈴都有其各自擅長的創作面向以及關注的題材議題,他們的作品也拼貼出莎妹從上個世紀末至今獨樹一格的創作風景。

Shakespeare's Wild Sisters Group

Since their formation fifteen years ago, Shakespeare's Wild Sisters Group has performed over forty works. The group's curious experimentation with different aesthetics and subject matters has made them a one of a kind performance team. The troupe's four directors:Wei Ying-Chuan, Wang Chia-ming, Baboo, and Hsu Yen-ling, each bring to the table their own talents, experiences, and interests. Together they create the unique and timeless theatrical style that makes up the Shakespeare's Wild Sisters Group.



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