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  講堂總覽 2 8

  邱文傑

大涵建築師事務所 主持建築師/邱文傑建築師事務所 負責人
1990年取得到哈佛大學設計學院的建築與都市設計碩士,1994年回到臺灣執業。

回國18年,累計獲得三次臺灣建築獎、兩次遠東建築獎、WA中國建築獎及2007年獲選全球華人青年建築師獎、2009年淡江建築傑出系友、2011年獲選中華民國百年傑出建築師,並分別於2007、2012年代表臺灣參加香港-深圳建築雙年展及2008年威尼斯建築雙年展。

Wen-Chieh Chu

Head Architect of Dahan Architecture Firm/ Director of Qiuwen Architecture Firm.

1990- Received Master’s Degree diploma from Harvard Graduate School of Design, 1994- returned to Taiwan to work as an architect. In the eighteen years that Wen-Chieh Chu has worked as an architect in Taiwan, he has earned a total of three national architecture awards, two Far East Architecture Awards, and the WA Architecture Award from Mainland China. In 2007 he received the Chinese Architecture Education Award, named “outstanding alumnus” of Tamkang University in 2009, named “outstanding national architect” in honor of Taiwan’s 100th year in 2011. In the years 2007 and 2012, he represented Taiwan at the Hong Kong- Shenzhen Architecture expo and in 2008 presented at the Venice Architecture Expo.

  【凡塵不凡】

  10/24(四) 19:00-20:30

  • 地點:藝文中心舜文大講堂
  • 主講人:邱文傑(大涵建築師事務所主持建築師、邱文傑建築師事務所負責人)

構成一向是了解我建築的重要基礎。
這種基礎是比較傾向西方現代性的思考。
然而對材料的選擇上卻又對臨時性建築(違章建築)有一種難以言喻的鄉愁!
因此從對材料的了解而積極賦予它較偏重手工的創作方式,將尋常之物化為不尋常,遂成為此階段的創作關鍵!
從臺灣臨時性的豐富多元文化中、截取養份並凝固成一種如雕塑般的構造物件,就在此化平凡為不平凡的創作過程中,探索地域鄉愁與現代性結合之可能!



(左圖)邱文傑作品─921地震教育園區入口
(右圖)邱文傑作品─臺北那條通作品

EXTRA-ORDINARY

  • 10/24 Thu. 19:00-20:30
  • Venue: Shun-wen Auditorum of the Art & Culture Center
  • Speaker: Wen-Chieh Chu(Head Architect of Dahan Architecture Firm/ Director of Qiuwen Architecture Firm)

Participating in the construction process is always the key to understanding architecture.

This sort of philosophy tends to come from modern Western thought.

And yet I feel a strong nostalgia for building materials of the past and temporary structures.

Thus I assign a more important role for building materials and do mostly manual construction, taking ordinary objects and making them not ordinary—this is the key to my current creative process! Taking Taiwan’s diverse and abundant culture of temporary architecture as a starting point, I then break down its original elements and mold them into a new product. In the process of making ordinary objects unordinary, I am able to explore the possibilities of the fusion of modern and nostalgic architecture.

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