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民族誌影展總覽 Overview

3/09(五) 19:00- 20:40

《消失之島》
There Once was an Island

3/15(四) 19:00- 20:50

《睜開左眼》
Eye on the Left
- News Cameramen's Reality

《寄藥包》 The Delivery Man

3/21(三) 19:00- 20:20

《一分鐘6塊錢的媽媽》
Mothers 15 Cents a Minute

3/29(四) 19:00- 20:40

《很久沒有敬我了你
   ─紀錄片導演版》

On The Road
- Behind the Scenes, Director’s Cut

4/11(三) 19:00- 20:40

《重返憂鬱的熱帶》
Claude Lévi - Strauss, Return to the Amazon

4/24(二) 19:00- 20:40

《請別打我,長官!》
Please Don’t Beat Me, Sir!

4/30(一) 19:00- 20:20

《牛糞》
Yak Dung

睜開心裡的眼睛,注視自身之外的真實存在。
觀看的力量,有時輕薄成膠卷,有時卻能廣大知世界。
存亡之際的受潮島嶼,紙上字裡疏離的地域;
每一則媒體訊息背後的計量,每一包醫治久病的良方;
從羊水到海峽,無形的臍帶跨越的不只是血緣關係,也是整個時代的必然。

此時顯影於銀幕上的影像,並非與我們無關的歷史書寫,
那是屬於所有人類的觀察日記與集體記憶,

或許也是某種穿越形式的先知預言。

 2012國際民族誌影展巡演
  • 主辦單位:社團法人台灣民族誌影像學會
  • 合辦單位:藝文中心
  • 協辦單位:民族學系、政大書院
  • 放映地點:藝文中心3樓視聽館
  • ※每場安排映後座談。
  • 民族誌影展官方網站:http://www.tieff.sinica.edu.tw/ch/2011/

⟩ 2012 Taiwan International Ethnographic Film Festival
The Host: Taiwan Association of Visual Ethnography
Organizer: Art & Culture Center
The Co-organizer: The Department of Ethnology, Chengchi college Project Office
official website of 2011 Taiwan International Ethnographic Film Festival: http://www.tieff.sinica.edu.tw/ch/2011/
Venue: Audiovisual Theater on the 3rd floor of the Art & Culture Center
※The informal discussion will be held after the movie is shown.

  引言

看見文化的他者
藍美華(民族系副教授兼政大書院計畫辦公室執行長、臺灣民族誌影像學會理事長)

臺灣民族誌影像學會每兩年會辦一次國際民族誌影展,從各國投來的數百部影片中精挑細選三十部左右在台北播放。去年10月學會舉辦了第六屆影展,主題為「試煉與重生」,希望透過影片讓觀眾認識,不同的社會文化,從過去、現在、到未來,持續面對人與自然、超自然以及人與人之間的各種試煉,而不同的人群也在不同的試煉中尋找重生的機會與可能。

除了主題影片外,和主題無關的兩年內優秀新片也有機會經過徵選後在影展中放映,每屆投來的這類影片數量不比主題影片少。影展結束後,學會依照往例在今年將其中部分影片於各縣市巡演,以期讓更多人可以欣賞這些出色的影片,並就相關主題進行分享討論。往年的巡演地區從未包括臺北,但有許多朋友希望學會能將台北列入巡演地點,因此有了今年臺北巡演的計畫。

這次在政大巡演的影片包括本屆影展主題導演龍男‧以撒克‧凡亞思的《很久沒有敬我了你─紀錄片導演版》、許多人向隅而要求播映的影展閉幕片《重返憂鬱的熱帶》、具震撼力又叫好的《消失之島》、討論殖民後遺症的《請別打我,長官!》、西藏生活不可或缺的同名影片《牛糞》、反思臺灣新聞製作的《睜開左眼》、描寫臺灣舊有行業的《寄藥包》以及遠在國外的媽媽如何照顧孩子的《一分鐘6塊錢的媽媽》,相當多元,而且好看。 一般人沒有辦法到世界各國實際體驗不同的社會文化,但只要抱持一顆開放的心,透過民族誌影片的觀看、討論,我們可以看見文化的他者,擴大我們的視野,豐富我們的心靈,進而對我們自己進行反思,以創造一個多元包容、平等自在的台灣社會。

The Cultural Other
LAN, Mei-hua
(Associate Professor of the university's Department of Ethnology and the Chief Executive Officer of Chengchi college Project Office 、 the Chairman of Taiwan Association of Visual Ethnography)

The Taiwan Association of Visual Ethnography's biennial “Taiwan International Ethnographic Film Festival” selects roughly 30 films out of several hundred from around the world to be shown in Taipei . Last October, the association organized the sixth film festival under the theme of “ Su ffering and Rebirth”, hoping to invite the audience to a multi-cultural investigation of survival practices for the suffering encountered when dealing with human societies, natural environments and supernatural worlds. Meanwhile, different groups of people will also seek the opportunity and possibility of rebirth under different sufferings.

In addition to the central theme, outstanding New Vision films completed within the last two years are also given an opportunity to be screened in the festival if they are selected. Each year, films submitted under this category are central theme films. As usual, after the film festival is over, the association will put some of the films on a screening tour in various cities and counties in Taiwan , so as to allow more people to appreciate the extraordinary films and share/discuss with one another according to the different themes. Although previous screening tours excluded Taipei , it was included in this year's program due to the feedback from the audience.

The films on tour at NCCU include director-in-focus Lungnan Isak Fangas' “ On The Road - Behind the Scenes, Director's Cut”; “Claude Lévi - Strauss, Return to the Amazon”, the closing film of the festival, which was highly demanded by those who have missed out; the awe-inspiring and acclaim ed “ There Once Was an Island”; “Please Don't Beat Me, Sir!”, which discusses the aftermath of colonialism; “Yak Dung”, showing an essential part of life in Tibet; “Eye on the Left - News Cameramen's Reality”, which reflects on the Taiwanese news industry; “The Delivery Man”, which depicts the Taiwanese traditional industry of drug delivery, and “Mothers of 15 Cents a Minute”, which portrays how a mother can look after her children from a distance. The wonderful diversity of the films makes them highly viewable.

Ordinary people are unable to travel to different countries in the world to experience different social culture; however, if one can maintain an open heart, through viewing and discussing ethnographic films, we will be able to see the cultural other, expand our vision, enrich our souls and, in turn, examine ourselves to create a diverse, embracing, equal and free Taiwanese society.

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